溥心畬先生書畫特展目錄,頁64、85&* 溥儒(西元一八八六-一九六三年),河北宛平(今北平市)人。字心畬,別署西山逸士,清宗室恭王之後。幼即究心藝事,詩詞、書法秀逸出塵,與張大千有「南張北溥」之稱。 白描畫。觀音菩薩立於龍上,手持淨瓶傾倒淨水,淨水化出數子瑞蓮。其前善財童子跪於蓮臺,合什禮拜,一隻瑞口啣數珠而至。全作線條流暢清勁秀逸,深得仇氏一派雅潔的特質。 本幅為劉德豐先生捐贈。&*Kuan-yin Bodhisattva with Vase P’u Ju (1886-1963) Republican Period P’u Ju (style name Hsin-yu and sobriquet His-shan I-shih) was a native of Wan-p’ing, Hopeh (modern Pei-shih) who was a member of Ch’ing imperial family. From the time he was a child he diligently learned the arts in cluding painting, poetry, and calligraphy. His fame equalled that of his contemporary, Chang Dai-chien. In this painting done in outlines of monochrome ink, the Kuan-yin Bodhisattva stands on the head of a dragon pouring the water of purification from a bottle. Emerging from the water of purity are several auspicious lotus blossoms. Before her kneels a child with his hands clasped in obeisance. Above, an auspicious bird arrives with a rosary bracelet in its beak. The flowing lines in the work are elegant and untrammeled, yet strong and forceful, much in the manner associated with the style of Ch’iu Ying (cac. 1494-1552). This work was donated to the Museum by Mr. Liu Te-feng.